| 101 Movie Hits for Alto
Sax: Alto Saxophone:
Instrumental Album
Alto Saxophone [Sheet music] - Intermediate Hal Leonard
This eclectic collection for solo Alto Saxophone will delight film fans of all a...(+)
This eclectic collection for solo Alto Saxophone will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen including Diamonds Are A Girl\'s Best Friend (Gentlemen Prefer Blondes) Eye Of The Tiger (Rocky III) Hallelujah (Shrek) Happy (Despicable Me 2) Mrs. Robinson (The Graduate) The Dreame (Sense And Sensibility) Let It Go (Frozen) Summer Nights (Grease) The Music Of Goodbye (Out Of Africa) and more.
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Christmas Saxophone
Basics (HARRIS PAUL) Alto Saxophone [Sheet music] Faber Music Limited
Par HARRIS PAUL. Christmas Saxophone Basics is a collection of fun and festive r...(+)
Par HARRIS PAUL. Christmas Saxophone Basics is a collection of fun and festive repertoire for alto saxophone. Leap through the twelve days of Christmas in twelve stages with Christmas-themed improvisations, warm-ups and studies, plus your favourite Christmas tunes. There聮s a selection of repertoire with piano accompaniment as well as duets suitable for 2 saxophones and duets for saxophone and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto
12.32 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 101 JAZZ SONGS FOR TENOR
SAX Tenor Saxophone [Sheet music] Hal Leonard
Par . / Date parution : 2022-11-04/ Recueil / Saxophone T茅nor
21.68 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| 101 JAZZ SONGS FOR ALTO
SAX Alto Saxophone [Sheet music] Hal Leonard
Par . / Date parution : 2022-11-04/ Recueil / Saxophone Alto
21.68 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Big Jazz Hits Sax Eb And
Bb
Saxophone [Score] - Intermediate Amsco Wise Publications
A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, ...(+)
A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, complete with two sets of chord symbols for accompaniment. / Saxophone
26.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Pop For Alto Saxophone 3
(AUTEURS DIVERS) 1 ou 2 Saxophones Alto [Sheet music + Audio access] Schott
12 Pop-Hits in Easy Arrangements with additional 2nd part. Par AUTEURS DIVERS. T...(+)
12 Pop-Hits in Easy Arrangements with additional 2nd part. Par AUTEURS DIVERS. The most beautiful pop songs, well-known film melodies and timeless evergreens: Volume 3 of the Pop for Alto Saxophone series contains 12 easily arranged arrangements for 1-2 players with suitable playbacks for every song. Current chart hits such as shallow or high hopes stand alongside the pop classics Every Breath You Take and You Can't Hurry Love. Real sax highlights are the jazzy songs Just The Way You Are, Smooth Operator and Georgia On My Mind, which were produced in the sonorous Big Band sound./ Recueil / 1 ou 2 Saxophones Alto
20.53 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Ponzol Peter - Saxophone
Workshop - Pocket Guide Saxophone Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...(+)
Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
6.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Enzel C./ravel M. -
Trois Chansons -
Saxophone Quartet Saxophone Quartet: 4 saxophones [Score and Parts] Advance Music
Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons...(+)
Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravel聮s sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmother聮s house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her 聯lover true聰. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:聰Stay, stay, my Nicolette, all this gold I give to thee聰, and - 聯VIVO聰 - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 聳 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: 聯We will not go into the woods since the old folks have frightened off all the beasts, anyway.聰
20.00 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Weiskopf Walt - 16
Moderatly Challenging
Jazz Solos - Alto
Saxophone Alto Saxophone Jamey Aebersold Jazz
by Walt Weiskopf. From the popular performer and composer, here are 16 solos bas...(+)
by Walt Weiskopf. From the popular performer and composer, here are 16 solos based on well-known standards designed to improve your time, melodic sense, and harmonic awareness. They sound like ?real? solos because they were designed the way real soloists think and play. Chord changes are written above each measure, allowing instant analysis of how and why a particular lick or pattern sounds great. Tempos are moderate to moderate-fast, so they are very approachable for intermediate level players. The CD includes both play-along/practice tracks and demonstration tracks with Walt playing the etudes on either tenor or alto sax (depending on the book). Playing these solos with solid time, tone, and conviction will have you sounding professional, mature, and polished.
19.70 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Paul Bonneau: 2 Caprices
en Forme de Valse: Alto
Saxophone: Instrumental
Work Alto Saxophone and Piano [Sheet music] Leduc, Alphonse
As the Saxophone is commonly associated with the jazz style classical music for...(+)
As the Saxophone is commonly associated with the jazz style classical music for the instrument had always been lacking. Therefore when Paul Bonneau (1918-1995) composed his聽Deux Caprices En Formed De Valse聽for Alto Saxophone and Piano it was well-received by performers of the genre. Bonneau's composition was highly versatile ranging from over fifty film scores operettas songs and other pieces for Saxophone including a concerto. The聽Deux Caprices En Formed De Valse however were particularly acclaimed for their use of advanced techniques. The works contains typically French characteristicsincluding chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists.
32.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| 101 Broadway Songs for
Alto Sax: Alto Saxophone:
Instrumental Album Alto Saxophone [Sheet music] Hal Leonard
This collection of Broadway classics contains 101 fabulous songs from the shows ...(+)
This collection of Broadway classics contains 101 fabulous songs from the shows all specially arranged for the Alto Saxophone. This instrumental album features pieces by many much-loved composers for musical theatre including Andrew Lloyd Webber Rodgers and Hammerstein Irving Berlin Boublil and Sch枚nberg and more. Songs include: As Long As He Needs Me (Oliver!) I Dreamed A Dream (Les Miserables) Tomorrow (Annie) Memory (Cats) The Music Of The Night (Phantom Of The Opera) If I Were A Rich Man (Fiddler On The Roof).
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| 101 Broadway Songs for
Tenor Sax: Tenor
Saxophone: Instrumental
Album Tenor Saxophone [Sheet music] Hal Leonard
This collection of Broadway classics contains 101 fabulous songs from the shows ...(+)
This collection of Broadway classics contains 101 fabulous songs from the shows all specially arranged for the Tenor Saxophone. This instrumental album features pieces by many much-loved composers for musical theatre including Andrew Lloyd Webber Rodgers and Hammerstein Irving Berlin Boublil and Sch枚nberg and more. Songs include: As Long As He Needs Me (Oliver!) I Dreamed A Dream (Les Miserables) Tomorrow (Annie) Memory (Cats) The Music Of The Night (Phantom Of The Opera) If I Were A Rich Man (Fiddler On The Roof).
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Music for Saxophone and
Piano (SCHWARTZ JAY) Alto Saxophone and Piano Universal Edition
Par SCHWARTZ JAY . From the composer: 聯I composed Music for Saxophone and Piano...(+)
Par SCHWARTZ JAY . From the composer: 聯I composed Music for Saxophone and Piano for Harry Kinrose White in 1992. It is an early attempt in my work at magnifying the barriers between sound and silence, exploring the extreme ranges of pianissimo sounds in the saxophone that seem to appear without recognizable transition out of nothing. Glissandi, sliding tones, have always fascinated me, and in this piece I applied for the first time my ideas about pitch slides in a composition. These two qualities - the absence of a recognizable boundary between soft and inaudible sound, and the absence of a stationary pitch by employing glissandi - were soon to become something of a basis of my compositional aesthetic for many years. It was in Music for Saxophone and Piano that these ideas seem to have first germinated. The architecture of this piece employs a simple binary form, but the halves are stylistically diametrically opposed, creating a dialectical pair, the serene and elegiac character of the second half being born out of the high point and cathartic event of the first half. In this architectural formula new and unexpected material is catalyzed by the long arch of the opening material reaching a breaking point.聰 For advanced players./ Recueil / Saxophone Alto et Piano
37.68 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Alexander Glazunov: In
Aller Fruhe: Alto
Saxophone: Score Fran莽ais Saxophone En Mib Et Orchestre Cordes Leduc, Alphonse
Russian composer Alexander Glazounov (1865-1936) was director of the Saint Pete...(+)
Russian composer Alexander Glazounov (1865-1936) was director of the Saint Petersburg Conservatory for a large part of his career. As a prolific composer his works were always well-received Concerto In E flat for Alto Saxophone and String Orchestra being no exception. Glazounov's compositional style was particularly significant due to his successful reconciliation of nationalism and cosmopolitanism in Russian music. Composed in 1934 a typical performance of Concerto聽In聽E flat聽for Alto Saxophone and String Orchestra last about fourteen minutes and is played without a pause. The work is highlyromantic and remains part of the standard Saxophone repertoire. For all advanced saxophonists Glazounov's Concerto聽In聽E flat聽ensures a riveting and exciting performance for players and audiences alike.
22.50 GBP - Sold by Musicroom UK | |
| Si Young C/B Ensemble
Development Ax Alto Saxophone Alfred Publishing
Sound Innovations: Ensemble Development for Young Concert Band is a complete cur...(+)
Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Saxophone Alto
8.82 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Si Young C/B Ensemble
Development Tx Tenor Saxophone Alfred Publishing
Sound Innovations: Ensemble Development for Young Concert Band is a complete cur...(+)
Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Saxophone Tenor
8.82 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Ton Derksen: Hot Salsa!:
Saxophone: Instrumental
Work Saxophone [Sheet music + CD] De Haske Publications
Salsa & Latin with Passion!-In Hot Salsa! you will find ten pieces that were ins...(+)
Salsa & Latin with Passion!-In Hot Salsa! you will find ten pieces that were inspired by socas kasekos reggaes cumbias merengues and other styles that for convenience are called salsa. However within salsa numerous subdivisions can be made. The common link between all these styles is that they express an immense zest for living which is captivating and refreshing time after time. It would be great if you could also experience this zest for living through playing this music! Each piece includes chords to give you the chance to improvise to the outline of the piece so you do not necessarily always have to play the written melody. Have great fun with Hot Salsa!
15.99 GBP - Sold by Musicroom UK | |
| Take The Lead - Musicals
+ Cd - Saxophone And
Piano Saxophone and Piano [Sheet music + CD] Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...(+)
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Musicals' Features all the big hits from the West End and Broadway shows. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal pieces for performance. Contents: Fame (Fame); Food Glorious Food (Oliver); If I Were A Rich Man (Fiddler On The Roof); Over The Rainbow (Wizard Of Oz); Send In The Clowns (A Little Night Music); Singin' In The Rain (Singin' In The Rain); Tomorrow (Annie)
15.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Edvard Grieg: Play Grieg:
Alto Saxophone:
Instrumental Work Alto Saxophone De Haske Publications
Edvard Grieg (1843-1907) Norway芒聙聶s most famous composer has written a lot ...(+)
Edvard Grieg (1843-1907) Norway芒聙聶s most famous composer has written a lot of music which is definitely worth playing and listening to! Play Grieg features a selection of well-known and lesser-known works or themes. Since most of these were originally written for instruments other than the one for which they are intended in this volume things such as tempi have been carefully adapted from the original parts or pieces have been shortened to ensure playability.
15.99 GBP - Sold by Musicroom UK | |
| Take The Lead - Musicals
+ Cd - Saxophone And
Piano Saxophone and cello [Sheet music + CD] Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...(+)
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Musicals' Features all the big hits from the West End and Broadway shows. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal pieces for performance. Contents: Fame (Fame); Food Glorious Food (Oliver); If I Were A Rich Man (Fiddler On The Roof); Over The Rainbow (Wizard Of Oz); Send In The Clowns (A Little Night Music); Singin' In The Rain (Singin' In The Rain); Tomorrow (Annie)
15.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Small Pieces Composed In
Homage To The Saxon Court Orchestra Schott
Carl Maria von Weber's fame rests mainly on ?Der Freisch眉tz'. The unprecedented...(+)
Carl Maria von Weber's fame rests mainly on ?Der Freisch眉tz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
321.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Robert Saxton: Fantazia
For String Quartet:
String Quartet: Score String Quartet: 2 violins, viola,
cello [Sheet music] Chester
Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in ...(+)
Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in response to a commission from the London International String Quartet Competition for a test piece for the 1994 competition. Funds were provided bythe John S Cohen Foundation.The title gives the clue to the nature of the music: the viol fantasia was the chosen form of composition for the greatest English composers of the mid-seventeenth century Lawes Jenkins Ferraboscoin particular. They inherited the techniques of vocal polyphony from Byrd and Gibbons and forged a new instrumental polyphonic style. The culmination of this genre was reached in the magnificent works of Henry Purcell around1680 and it was Purcell who adopted the spelling 芒聙聵Fantazia芒聙聶.I have always loved this music and when asked to write a short piece for strings I decided to pay tribute to this under-rated tradition. Most fantazias consistedof short joined sections and I have expanded this to create and eight-minute piece in three larger sections the essence being contrapuntal interplay and equality of part-writing. (Any idea of stylistic reference would be absurdion the late twentieth century). The first section is a lyrical allegro moderato which leads into a sustained and intense slow movement; this in turn gives way to a final quick section of a dancing character a featurefrequently encountered in Purcell芒聙聶s own consort pieces.
8.99 GBP - Sold by Musicroom UK | |
| 101 BROADWAY SONGS FOR
TENOR SAX Hal Leonard
Instrumentalists will love this collection of Broadway classics, including: Any ...(+)
Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do 路 Cabaret 路 Defying Gravity 路 Do You Hear the People Sing? 路 Edelweiss 路 Getting to Know You 路 Guys and Dolls 路 Hello, Dolly! 路 I Dreamed a Dream 路 If I Were a Bell 路 Luck Be a Lady 路 Mame 路 The Music of the Night 路 Ol' Man River 路 People Will Say We're in Love 路 Seasons of Love 路 Send in the Clowns 路 The Surrey with the Fringe on Top 路 Think of Me 路 Tomorrow 路 What I Did for Love 路 You'll Never Walk Alone 路 and many more. / Musique films - com茅dies musicales / Hal Leonard
23.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Lectures
Différentes
(EOTVOS PETER) 4 Saxophones [SATBar] [Score and Parts] - Intermediate/advanced Schott
Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this pie...(+)
Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Gr眉ber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Gr眉ber said: 聭聟 now once again in a different way.聮 The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is going in that direction too. In 聭Sc猫ne 1/A聮 I imposed a certain character, and in 聭Sc猫ne 1/B lecture diff茅rente聮 the same material is interpreted in a completely different way. The same is true in the second scene. Peter E枚tv枚s / Niveau : 5 / R茅pertoire / 4 Saxophones [SATBar]
49.95 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Laverne A. - Chords In
Motion - Piano Piano solo Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...(+)
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation
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| Dave Brubeck: They All
Sang Yankee Doodle: SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...(+)
'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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